Tiến về Sài Gòn (Heading to Saigon)

Collections
1472804
Title
Tiến về Sài Gòn (Heading to Saigon)
Year/Period
1975
Region
Vietnam
Object Type
Technique
Dimension
Object size: (Mount) 19.0 x 31.5 cm,
Image size: 14.5 x 26.0 cm
Accession No.
2021-01008

Artists from Vietnam played an integral role in both the First Indochina War (1946-1954), where they fought for independence from French colonial rule, and the Second Indochina War (commonly known as the Vietnam War or the American War), which continued until 1975. Artists documented conditions for soldiers in the battlefields, as well as for civilians in the cities and the countryside. They also created propagandistic and sometimes romantic images to articulate and advocate ideological positions. In the Democratic Republic of Vietnam (DRV or North Vietnam), artists were employed by the military or the state; sometimes their works were created as personal mementoes, and sometimes they were exhibited or published during the wartime. Phạm Thanh Tâm is remarkable for having participated as a soldier-artist in both the First and Second Indochina Wars, creating a large volume of work recording his experiences. His extensive wartime diaries have also been translated and published. He joined the Viet Minh at a young age, becoming part of a propaganda painting division, where he studied sketching and painted revolutionary murals, posters, and banners. In 1963, Tâm commenced formal studies at the Vietnam Fine Art College, graduating with a specialisation in oil painting. Working as a battle journalist. Phạm Thanh Tâm was present when the troops of the National Liberation Front entered Saigon in 1975: a watershed moment that marked the communist victory in the Second Indochina War. He made sketches of the events. Here, his drawing depicts troops with tanks on the road towards Saigon.This artwork is part of a significant collection of drawings, sketches, paintings, posters and photographs in Singapore’s National Collection. These works reflect the diversity of artistic production during the First and Second Indochina Wars among artists affiliated with the communist side of the conflict. Many key figures active as war artists during this period have also had a lasting impact on the development of modern art in Vietnam and beyond.