Born in Guangdong Province, China, Chen Chong Swee (1910-1985) came to Singapore in 1931 shortly after graduating from Xinhua Academy of Art, Shanghai. He co-founded the Salon Art Society (now the Singapore Society of Chinese Artists) in 1935 and was a teacher with Nanyang Academy of Fine Arts for over 20 years. In 1952, Chen, together with fellow artists Chen Wen Hsi, Cheong Soo Pieng and Liu Kang, went on what would eventually turn out be a historically significant trip to Bali, Indonesia in search of new inspiration and subject matter. As one of the first artists instrumental in developing the Nanyang Style, Chen pioneered attempts to interpret local landscapes according to the Chinese concept of pictorial composition with Western watercolour techniques.In this painting of a fishing village in Kukup, Malaysia, Chen employed the one-point perspective to create depth; the long plank bridge leads the viewer to the ‘kelongs’ (fishing traps built on stilts) at the end of it. This painting is an example of Chen’s attempt at incorporating Southeast Asian subject matter in traditional Chinese ink painting, complete with calligraphy and seal.
